With their intense and vibrant colors, Frida Kahlo paintings are best remembered for their pain and passion. Mexicans and feminists celebrate them, the former, as emblematic of national and indigenous tradition and the latter, for their uncompromising depiction of the female experience and form.
Categorized as Naive art or folk art, Frida Kahlo paintings feature Mexican culture and Amerindian cultural tradition prominently. They are also described as surrealist. In 1938, Frida was described as being a ribbon around a bomb by a bonafide surrealist artist.
Frida was never ashamed to reflect her lifelong health problems in her works. As a matter of fact, half of the Frida Kahlo portraits are self portraits of one sort or another. She was born a bitch and a painter, according to her. The rationale for these self portraits came from Frida herself, her being alone more often than not and her knowing herself best, making herself the best model for her own paintings.
While Degas paintings received the label of being impressionistic in style, Edgar Degas insist that he is either a realist or independent. The fleeting moments in the flow of modern life is what Edgar wants to capture in his work.
Because Edgar had very little energy for painting plein air landscapes, Degas paintings frequently depicted theatre and cafe scenes illuminated in artificial light. In complete adherence to his academic training, Edgar used this light in the clarification of the contours of his figures.
In recognition oh his son's artistic gifts, Edgar's father took him frequently to Paris museums as a way of encouraging his efforts at drawing. This resulted to early Degas paintings being copies of Italian renaissance paintings at the Louvre.
Emphasizing on line and insisting on the crucial importance of draftsmanship, the traditional academic style was the style Edgar got his training in under the tutelage of Louis Lamothe. Another strong influence reflected in Degas paintings are those from paintings and frescoes Degas saw during his long Italian trips in the late 1850s. Edgar recorded these paintings and frescoes in his personal notebook by making his own drawings and sketches of them.
Categorized as Naive art or folk art, Frida Kahlo paintings feature Mexican culture and Amerindian cultural tradition prominently. They are also described as surrealist. In 1938, Frida was described as being a ribbon around a bomb by a bonafide surrealist artist.
Frida was never ashamed to reflect her lifelong health problems in her works. As a matter of fact, half of the Frida Kahlo portraits are self portraits of one sort or another. She was born a bitch and a painter, according to her. The rationale for these self portraits came from Frida herself, her being alone more often than not and her knowing herself best, making herself the best model for her own paintings.
While Degas paintings received the label of being impressionistic in style, Edgar Degas insist that he is either a realist or independent. The fleeting moments in the flow of modern life is what Edgar wants to capture in his work.
Because Edgar had very little energy for painting plein air landscapes, Degas paintings frequently depicted theatre and cafe scenes illuminated in artificial light. In complete adherence to his academic training, Edgar used this light in the clarification of the contours of his figures.
In recognition oh his son's artistic gifts, Edgar's father took him frequently to Paris museums as a way of encouraging his efforts at drawing. This resulted to early Degas paintings being copies of Italian renaissance paintings at the Louvre.
Emphasizing on line and insisting on the crucial importance of draftsmanship, the traditional academic style was the style Edgar got his training in under the tutelage of Louis Lamothe. Another strong influence reflected in Degas paintings are those from paintings and frescoes Degas saw during his long Italian trips in the late 1850s. Edgar recorded these paintings and frescoes in his personal notebook by making his own drawings and sketches of them.
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