samedi 5 juillet 2014

Abcs Of Hip Hop Producers And The History Of Hip Hop

By Jeff L. Robertson


Hip Hop is not just a form of music, but a culture that originated among the African-American residents of New York in the early 1970s. A decade later, it attracted the attention of large parts of the U. S. Population. By the early 90s, the music genre had spread around the world. The Hip Hop producers in Los Angeles face a very competitive environment, where musicians fight for status by exercising five basic components. Hip Hop is not in the classical sense, a culture, but a subculture.



The five elements are as follows: DJ'ing - Turning records and scratching them; Rap - rhythm and poetry. B-Boying: Different dance forms in either very fluid or rhythmic movement. The dancer twirls with the head spin and often making very complicated acrobatic moves. Other concepts of the dance are the Top Rock, Down Rock - these form basic elements. Electric Boogie is also a form belonging to B-boying.

Baggy clothes started in prisons of New York, where they only had one-size uniforms. This led to medium built prisoners to wear over-size outfits. The baggy look gradually became more and more fashionable and mainstream. Around the late 1980s, gangsta rap style emerged in America, led by groups like NWA, which dominated the U. S. West coast. Previously, hip hop had been reserved for New Yorkers, and a strong grouping occurred with west coast rappers on one side and east coast rappers on the other side .

The five elements together are what many perceive as Hip Hop, and they are the pillars of the subculture. However, there are several other things associated with the genre. Clothes and overall appearance are an important part of culture. Elements, context, content and number are often discussed - and originally there were only four elements. These have now grown into seven. For example, knowledge of the sub-culture has been added as an important element.

First MCs were literally typical entertainers, they were able to capture the attention of audiences through their energetic tirade. It should be noted that Jamaica had a similar style of performance that was developed at the turn of the 1960s and 1970s. The popularity of music at these parties meant local DJs could to sell cassettes with recorded live performances, which skillfully mix rhythms and bass lines taken from compositions in the styles of disco and funk over the recited rap. It was purely an amateur occupation, and during that period (1974-1978) no formal releases or studios existed.

The practice of repeating the same instrumental passage became known as the merry go-around. For Herc, the practice was not completely new because it reminded him of the 45 vinyls he often spun in Jamaica. Contemporary rap was known in Jamaica as toasting and was popular among radio deejays, called Selectors which is how they presented themselves and the music they would play.

In early autumn 1979, her studio released the single, Rapper's Delight performed by The Sugarhill Gang, which produced a sensation in the U. S. Market. The single is considered the first rap record despite the fact that some earlier entries contested championship glory. But thanks to this 11 minute track, the American public and the media learned about the hip hop phenomenon. However, despite the popularity of this song (sold 8 million copies), some people agreed in opinion that it was a musical joke of which nothing happens further.

The former gang leader set out to clean up all the violence in predominantly black ghettos. The Zulu Nation was a peaceful alternative to violence and gang warfare. He went on to use the energy and passion on something positive instead. For example, through B-Boy competitions. He is also seen as a founding father of underground Hip Hop producers.




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