samedi 14 juin 2014

Paintings Of Rothko And Basquiat

By Darren Hartley


Well known for their images featuring large and luminous color blocks, Rothko paintings are classified as abstract expressionist pieces. The forms, figures and color created by Mark Rothko are what his many paintings are well known for.

The orientation of the first Rothko paintings was towards social themes with expressionist and surrealist undertones. Max Weber, who provided Mark with first hand knowledge and enthusiasm for European modernism, influenced Mark's output as evident in the subjects he chose. Another influential artist in the life of Mark Rothko was Marc Chagall.

The urban scenes and landscapes were often focal points for Rothko paintings. Figurative works were also part and parcel of these creations. Showcasing an expressive side to the art of Mark was his rough application of paint, a technique would later be the distinctive style for which he would become most known for during the course of his artistic career.

A patron of Basquiat paintings is sucked in and carried along an often intricate and complex journey through a maze of references. While often times the journey made little rational sense, a patron is nevertheless made to feel there is a need for him to take it. Because they cover everything from the inner city kids' game called skellys to Sugar Ray Robinson, Miles Davis and Da Vinci, Basquiat paintings prove to be mesmerizing, dense and full.

Taking primacy in Basquiat paintings are actual words, etched in scrawl. Colliding with iconic images of crowns and skulls, they are considered perfectly placed streams of consciousness. A patron can get lost in this collision for hours on end. They prove to be a bit less dark than some of the later works of the artist.

Basquiat paintings take his patrons into the mind of a prodigal genius with flashes of an early style. Always present in these works is the ubiquitous trademark crown as well as the black background and mirrored images, boxers and skulls. The early Basquiat drawings hold the key to all his work, numbering to more than 2,000 from the ages of 19 to 27.




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